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He is co-founder of the Centre Bophana which is dedicated to archiving Cambodian film heritage. His 2003 documentary S-21, la machine de mort Khmère rouge addressed the Khmer Rouge’s policy of systematic extermination between 19. He fled the Khmer Rouge dictatorship and came to Paris in 1980 where he studied at the Institut des Hautes Études Cinématographiques (now La Fémis). The director wins the Berlinale Documentary Award.īorn in Phnom Penh, Cambodia in 1964.
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The director showing his Berlinale Documentary Award. The producer, the film composer, the director and the screenwriter at the Photo Call. This crystal-clear flexible screen protector is.
#DOCUMENTARY S 21 FULL#
Hello! - the director in interaction with the photographers.Ĭatherine Dussart, Marc Marder, Rithy Panh, Christophe Bataille Were all about that barely-there feel with full screen scratch protection. The Artistic Director and the director on their way to the the premiere screening. The film team in the Berlinale Palast for their premiere. The director being interviewed on the Red Carpet.Ĭlémence Coppey, Catherine Dussart, Christophe Bataille, Rithy Panh,Agnès Sénémaud The film team and the festival management in the Berlinale Palast. The director joyfully signing his Star Portrait.Ĭatherine Dussart, Mark Peranson, Rithy Panh, Mariette Rissenbeek, Carlo Chatrian The director with the moderator at the Press Conference. Rithy Panh maintains the role of witness like Marceline Loridan, who also survived, he is living with irradiation and yet maintains a clear view of life. But beyond this pain lies innocence.” (Panh) Irradiés is not an opus made for the art gallery, but an extreme, necessary film that penetrates the eye and heart with unyielding force. To live on, to make contact with this irradiation, for which there may be no cause, no knowledge, but from which there is no protection. Irradiés is made by people who have survived physical and psychological irradiation as a result of war, and is recommended to those who believe they are immune to it: “What it means to be a survivor cannot be put into words. Each tragedy is unique, but in the repetition of the images there is that dull noise from which there is no escape. In 1975-79, almost two million Cambodians lost their lives to murder and famine when the Khmer Rouge forced the urban population into the countryside to fulfill their ideal of an agrarian utopia. On the search for reasons why this could have happened. The screen is split into a triptych, giving rhythm to the pictures. Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. Meticulously, a man’s hands assemble a model house in which he places a saved treasure as in a shrine: a family photo.